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In the context of a verse where Cole admits to still not making it, him musing about the different types of women he’s been with sounds reflective rather than sexually vapid. But, telling the woman you love you want to protect her by building “a wall worth $5 billion bucks” like Donald Trump is the sort of implicit satire that has become a trademark of Cole post-The creativity felt engrossingly free-flowing on this verse as if at any point Cole could speed his flow up to convey how quickly the mother of his children changed his life, at any point. He’ll “let you niggas see the light; I’m like the prison yard” and flip that same light into his mother watching her “son rise,” kicking back knowing her “son set.” This victory lap rap and Cole’s star can owe some of its shine to the perpetual afterglow of this triumphant verse that is the lasting memory of this song.The mark of a great guest verse is a performance so singular in its greatness the main artist becomes an afterthought on their own song (see: Bill Withers On Songwriting, Sampling & Legendary Concerts From Zaire To Carnegie HallThe tender tone of Cole’s voice adds a layer of sincerity to lines like “sneaking glimpses, asking God how he drew you like that.” Then, there’s the evolution of his love from a delicate flower at the start of his verse to a seed planted to sprout a family tree by the end of his verse. The verse off of DJ Khaled’s album sounds just like the album’s title — an artist battling the bouts of doubt concomitant of fame. and only Cole can make the average fan empathize with the plight of someone so rich they can do anything, to a fault. Taking sips of her “holiest water” hits different after Cole is “licking her places you lick when you rock with her forever.” Love taking a piece of someone’s soul hits deeper when Cole “hopes you find peace and you’re whole now.” The verse also helped launch one of R&B’s brightest new stars, Ari Lennox. Beautiful Bliss / 22. Thoughts of absentee fathers, the Grammy’s relevance and wishing to speak with his grandmother sound like more than tangential observations. The first verse is the flashier of the two with Cole flexing his pen to make cops looking for drugs “the weight watchers” and vehemently proclaims “Oprah hates niggas.” That’s the verse that’ll get your attention. Probably not many with Cole’s success, which makes this feature on Even an intelligent wordsmith like Cole has lusted over the materialism of life in the past. By John Kennedy. This verse is no different, with Cole revealing his surprising run of guest verses is partly predicated on keeping his name relevant in the conversations regarding his legacy. Cole said he “went to school with niggas, snatched their bitch, then tutored niggas,” like the cool nerd he was early in his career. These G.O.O.D. Image via Getty/Jeff Kravitz.
He paints explicit images of Black sensuality with invisible ink only discernible by those in the know. No, there’s no audio of it outside of Kendrick Lamar playing it outside of a store in early 2011. Cole may have predicted the trend of people selling online subscriptions to their sexy photos and videos with what he told that insecure girl on this verse in 2014. He’s Bruce Banner Cole with public doubt permeating his veins until it turns him into The Incredible Hulk, which is really just ‘94 Nas and ‘96 Jay. The airy vocal sample, ghostly hi-hats, and soft bass of the Cool & Dre and 808 Ray produced “track from 2011 starts, he sounds like a man on a mission over those ominous piano chimes. Add that to bars like “Made to ball like a goalie net” and “Ducking the devil, I guess you can say I live my life in limbo” and you have one of his best club-ready verses.Go to any Bas show where this song is performed and you can find a person from the crowd who will rap every single word. At the time, this wasn’t just a guest verse. His flow is Ginsu sharp and “another shot of Henny so I’m faded asking how long does this drug called fame be lasting” is one of the best endings to a J. Cole guest verse ever.the listener.
Thank you to everybody I got to work with during this run. J. Cole has too many great guest verses for all of them to make the top 25.With Cole’s reign as a guest verse killer seemingly over, here are the 25 best times he hopped on someone else’s song.No, this song was never formally released. Simone Biles lands perfectly upward after contorting her body in midair. He caught the eyes of many, including Jay-Z, who signed him in 2009. Now, something needs to be understood: This list is essentially J. Cole vs J. Cole.
There’s a distinctive rasp to his voice that sounds like pulling these revelations from the depths of his soul.
In the context of a verse where Cole admits to still not making it, him musing about the different types of women he’s been with sounds reflective rather than sexually vapid. But, telling the woman you love you want to protect her by building “a wall worth $5 billion bucks” like Donald Trump is the sort of implicit satire that has become a trademark of Cole post-The creativity felt engrossingly free-flowing on this verse as if at any point Cole could speed his flow up to convey how quickly the mother of his children changed his life, at any point. He’ll “let you niggas see the light; I’m like the prison yard” and flip that same light into his mother watching her “son rise,” kicking back knowing her “son set.” This victory lap rap and Cole’s star can owe some of its shine to the perpetual afterglow of this triumphant verse that is the lasting memory of this song.The mark of a great guest verse is a performance so singular in its greatness the main artist becomes an afterthought on their own song (see: Bill Withers On Songwriting, Sampling & Legendary Concerts From Zaire To Carnegie HallThe tender tone of Cole’s voice adds a layer of sincerity to lines like “sneaking glimpses, asking God how he drew you like that.” Then, there’s the evolution of his love from a delicate flower at the start of his verse to a seed planted to sprout a family tree by the end of his verse. The verse off of DJ Khaled’s album sounds just like the album’s title — an artist battling the bouts of doubt concomitant of fame. and only Cole can make the average fan empathize with the plight of someone so rich they can do anything, to a fault. Taking sips of her “holiest water” hits different after Cole is “licking her places you lick when you rock with her forever.” Love taking a piece of someone’s soul hits deeper when Cole “hopes you find peace and you’re whole now.” The verse also helped launch one of R&B’s brightest new stars, Ari Lennox. Beautiful Bliss / 22. Thoughts of absentee fathers, the Grammy’s relevance and wishing to speak with his grandmother sound like more than tangential observations. The first verse is the flashier of the two with Cole flexing his pen to make cops looking for drugs “the weight watchers” and vehemently proclaims “Oprah hates niggas.” That’s the verse that’ll get your attention. Probably not many with Cole’s success, which makes this feature on Even an intelligent wordsmith like Cole has lusted over the materialism of life in the past. By John Kennedy. This verse is no different, with Cole revealing his surprising run of guest verses is partly predicated on keeping his name relevant in the conversations regarding his legacy. Cole said he “went to school with niggas, snatched their bitch, then tutored niggas,” like the cool nerd he was early in his career. These G.O.O.D. Image via Getty/Jeff Kravitz.
He paints explicit images of Black sensuality with invisible ink only discernible by those in the know. No, there’s no audio of it outside of Kendrick Lamar playing it outside of a store in early 2011. Cole may have predicted the trend of people selling online subscriptions to their sexy photos and videos with what he told that insecure girl on this verse in 2014. He’s Bruce Banner Cole with public doubt permeating his veins until it turns him into The Incredible Hulk, which is really just ‘94 Nas and ‘96 Jay. The airy vocal sample, ghostly hi-hats, and soft bass of the Cool & Dre and 808 Ray produced “track from 2011 starts, he sounds like a man on a mission over those ominous piano chimes. Add that to bars like “Made to ball like a goalie net” and “Ducking the devil, I guess you can say I live my life in limbo” and you have one of his best club-ready verses.Go to any Bas show where this song is performed and you can find a person from the crowd who will rap every single word. At the time, this wasn’t just a guest verse. His flow is Ginsu sharp and “another shot of Henny so I’m faded asking how long does this drug called fame be lasting” is one of the best endings to a J. Cole guest verse ever.the listener.
Thank you to everybody I got to work with during this run. J. Cole has too many great guest verses for all of them to make the top 25.With Cole’s reign as a guest verse killer seemingly over, here are the 25 best times he hopped on someone else’s song.No, this song was never formally released. Simone Biles lands perfectly upward after contorting her body in midair. He caught the eyes of many, including Jay-Z, who signed him in 2009. Now, something needs to be understood: This list is essentially J. Cole vs J. Cole.
There’s a distinctive rasp to his voice that sounds like pulling these revelations from the depths of his soul.