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The core holding of the Center is the Jose Maceda Collection, consisting of library and archive materials including sound recordings, field notes, video, film, still photographs, and other documentary items as well as musical instruments, and original music compositions that were put together by Dr. Maceda, his research staff and other scholars since 1953.
Most recently, he spoke at the Arts Summit in Indonesia in 1995, was the Rayson Huang Visiting Lecturer at the University of Hong Kong in 1999 and served as the Jean-MacDuff Vaux composer-in-residence at Mills College in 2000. 2 For instance, in his composition Maceda changed his compositional style regularly, especially the way of presenting and the musical instruments he used, but his philosophy and fundamental idea never changed. It is also rumored that Maceda visited Cologne and met Karlheinz Stockhausen, possibly at the WDR (Studio for Electronic Music of West German Radio) on the same trip.
Because of the nearly four centuries of Spanish colonization, from 1521 to 1898, Western music was quite rooted in their culture, and it was not unusual to receive a typical European classical music education. Intellectually and artistically, US culture was so different from old and devastated Europe.
Back in Manila, Maceda saw the extravagances of the Marcos regime as avant-garde opportunity. He always dreamt of presenting new kind of Asian music.I really hope Maceda’s importance and uniqueness will become more recognized in the future, and that his compositions will be performed. According to Maceda, Western musical terms like ‘pitch’, ‘rhythm’, and ‘harmony’ do not work for his music. How many of you have heard of Maceda before…?
He was a highly skilled pianist turned Filipino ethnomusicologist turned composer.
Among the materials that will be featured are works by Ramon Santos Jonas Baes and Verne dela Pena from the UP College of Music.
Feel free to contribute! Later he studied in the USA, including private piano studies with E. Robert Schmitz in San Francisco from 1946–49 and musicology studies at Queens College and Columbia University from 1950–52.
I’ll be restaging a selection of Maceda’s compositions – Aki Onda’s research was supported by a fellowship from the Asian Cultural Council.José Maceda was the subject of Asia Art Archive Hong Kong’s 2015 exhibition After failing to get a clear understanding of the concept of the We have to stop here for this presentation, but to wrap up, in the 80s, Maceda started adopting Western instruments mixed with Filipino indigenous instruments, although his way of using the Western instruments was completely idiosyncratic. Jose Maceda, composer, musicologist, teacher and performer, explored the musicality of the Filipino deeply.Maceda embarked on a life-long dedication to the understanding and popularization of Filipino traditional music.
In any case, many attest without doubt that Maceda clearly understood the new theories and practices of ever-evolving European avant-garde music and its pioneering spirit, and that helped him on his new adventure as a composer.It was the beginning of a newly invented musical style with a new concept Maceda proposed. He studied piano privately with E. Robert Schmitz in San Francisco first.
He has also received the John D. Rockefeller Award from the Asian Cultural Council in New York (1987), the Philippine National Science Society Achievement Award (1988), the award Tanglaw ng Lahi from Ateneo University (1988), and the award Gawad ng Lahi from the Cultural Center of The Philippines (1989).Furthermore, he has received the Fumio Koizumi Award for Ethnomusicology in Japan (1992), the National Research Council Award (1993), the award Araw ng Maynila (1996), the Nikkei Award in Tokyo (1997), the award of the Fondazione Civitella Ranieri in Italy (1997), and the title of National Artist for Music (1998).
The core holding of the Center is the Jose Maceda Collection, consisting of library and archive materials including sound recordings, field notes, video, film, still photographs, and other documentary items as well as musical instruments, and original music compositions that were put together by Dr. Maceda, his research staff and other scholars since 1953.
Most recently, he spoke at the Arts Summit in Indonesia in 1995, was the Rayson Huang Visiting Lecturer at the University of Hong Kong in 1999 and served as the Jean-MacDuff Vaux composer-in-residence at Mills College in 2000. 2 For instance, in his composition Maceda changed his compositional style regularly, especially the way of presenting and the musical instruments he used, but his philosophy and fundamental idea never changed. It is also rumored that Maceda visited Cologne and met Karlheinz Stockhausen, possibly at the WDR (Studio for Electronic Music of West German Radio) on the same trip.
Because of the nearly four centuries of Spanish colonization, from 1521 to 1898, Western music was quite rooted in their culture, and it was not unusual to receive a typical European classical music education. Intellectually and artistically, US culture was so different from old and devastated Europe.
Back in Manila, Maceda saw the extravagances of the Marcos regime as avant-garde opportunity. He always dreamt of presenting new kind of Asian music.I really hope Maceda’s importance and uniqueness will become more recognized in the future, and that his compositions will be performed. According to Maceda, Western musical terms like ‘pitch’, ‘rhythm’, and ‘harmony’ do not work for his music. How many of you have heard of Maceda before…?
He was a highly skilled pianist turned Filipino ethnomusicologist turned composer.
Among the materials that will be featured are works by Ramon Santos Jonas Baes and Verne dela Pena from the UP College of Music.
Feel free to contribute! Later he studied in the USA, including private piano studies with E. Robert Schmitz in San Francisco from 1946–49 and musicology studies at Queens College and Columbia University from 1950–52.
I’ll be restaging a selection of Maceda’s compositions – Aki Onda’s research was supported by a fellowship from the Asian Cultural Council.José Maceda was the subject of Asia Art Archive Hong Kong’s 2015 exhibition After failing to get a clear understanding of the concept of the We have to stop here for this presentation, but to wrap up, in the 80s, Maceda started adopting Western instruments mixed with Filipino indigenous instruments, although his way of using the Western instruments was completely idiosyncratic. Jose Maceda, composer, musicologist, teacher and performer, explored the musicality of the Filipino deeply.Maceda embarked on a life-long dedication to the understanding and popularization of Filipino traditional music.
In any case, many attest without doubt that Maceda clearly understood the new theories and practices of ever-evolving European avant-garde music and its pioneering spirit, and that helped him on his new adventure as a composer.It was the beginning of a newly invented musical style with a new concept Maceda proposed. He studied piano privately with E. Robert Schmitz in San Francisco first.
He has also received the John D. Rockefeller Award from the Asian Cultural Council in New York (1987), the Philippine National Science Society Achievement Award (1988), the award Tanglaw ng Lahi from Ateneo University (1988), and the award Gawad ng Lahi from the Cultural Center of The Philippines (1989).Furthermore, he has received the Fumio Koizumi Award for Ethnomusicology in Japan (1992), the National Research Council Award (1993), the award Araw ng Maynila (1996), the Nikkei Award in Tokyo (1997), the award of the Fondazione Civitella Ranieri in Italy (1997), and the title of National Artist for Music (1998).