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Publisher: Salabert, EAS 18707. After his first pieces for percussion ensemble, Persephassa (1969), and percussion solo, Psappha (1976),
3 Xenakis: Synaphaï Xenakis: Complete Cello Works Xenakis: Works with Piano Iannis Xenakis: Atrées, Morsima-Amorsima, Nomos Alpha, ST 4, Achorripsis Xenakis Edition, Vol. A ritualistic web of complex rhythms in two substantial movements, this is rated as one of his masterpieces.Number of Players - 1Difficulty - Grade 5Instrumentation - A . MODE 189192 It was composed between 1987 and 1989 and, together with Psappha, is one of … Genuin Since becoming a percussion soloist, Rebonds is a piece that KUNIKO has been playing and performing throughout her entire career. GEN 17455 Rebonds. GEN 17479 Genuin
About this Piece. BIS In Xenakis’ break-through work, For details on how we use cookies, see our OR 0034 ¿Hablas español? Rebonds b is written for five drums and five woodblocks. 21466 The most obvious formal distinction is between sections featuring drums or sections featuring woodblocks (the final section combines the two). Visita nuestra página web en español. Rebonds is a composition for solo percussion by Greek composer Iannis Xenakis.
MODE 53 Iannis Xenakis in his studio in Paris, c. 1970 This article presents a complete list of compositions by Iannis Xenakis , organized by instrumentation. His second solo work, though, did not arrive until 1988. Movement "A" is often performed after "B," which has a more complex design. Rebonds a and b – Iannis Xenakis (1987-1989) Multiple percussion “Rebonds is in two parts, a and b. Within each category, the works are arranged chronologically by year of composition. Mode Records Iannis Xenakis (1922-2001) was born to Greek parents living in Romania, and his early interests included music and mathematics. All Rights Reserved. Effectif : Percussion. The organization within these sections is less linear than in "A," but there are variational processes used. Iannis Xenakis, Steven Schick, red fish blue fish - Xenakis: Percussion Works ... Rebonds and Okho are being played by every aspiring percussionist,as is Psappha, and now the youngsters are getting hip on Persephassa and Pleiades. It is in 4/4 time with regular bar lines as most music is. However, the bar lines don’t serve a musical purpose because the timing of …
These complementary interests – engineering and music – led to an encounter (and later employment) in Paris with the architect Le Corbusier, who introduced him to two leading members of the musical avant-garde, Varèse and Messaien. This site uses cookies to offer you the best possible experience.