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See also the generic Clarendon/Ionic for more information. From its use in the National Parks Department to wooden children's blocks to Starbucks and Wells Fargo's identity, we can see how it has come to be associated with nature and natural products as well as the old west.The purpose of these posts is to ignite a curiosity to discover what typefaces can bring to what you are working on. These features are part of what gives Clarendon its strength, they are why it gives off feelings of importance and substance. In London in the 1840s, the commercial applications of printing were increasing dramatically as the Industrial Revolution entered its second stage of expansion. The typeface was published in 1845 after Besley, an employee of the foundry since 1826, was made a partner in the firm. )Ovink suggests, however, that the inspirration for the Linotype Ionics may have been more The images below show some of Clarendon's most popular uses and in most of them we can really see the warmth that it brings to the table. Though Clarendon itself was created by Robert Besley in 1845 it is inspired by the typeface Antique, one of the original slab serifs. Clarendon went on to do nothing less than set the tone for commercial and editorial printing for the remainder of the century. In order to take advantage of this growing market, Robert Besley, a typographer for the Fann Street Foundry, set about finding a solution for one particular commercial printing problem that had arisen—how to pull out, or highlight, certain elements in editorial text and signage. When I close my eyes and picture Clarendon I immediately think of wood. Listed here are some wonderful typefaces inspired by Clarendon and the other 1800's slab serifs:
It also created the related bold standard that still exists today for emphasizing text. While Clarendon and Antique share a similar flavor, Clarendon's addition of bracketed serifs, the gentile curves connecting the serif to the body of the letter, gives it the ability to work better inline of a body of text with other serifed fonts as well as giving it its softer and more approachable feel. A brief history. Clarendon is a wonderful example of a class of Slab Serifs called Ionic or Egyptian.
: …began a draft of his History of the Rebellion and Civil Wars in England in the hope that his interpretation of recent errors might instruct the king for the future. After this commercial success, Besley would go on to become the mayor of London in 1869. It has an ambitious, stable structure, comparable in letter structure to the “current” serif typefaces popular inside the 19th century for body text, however bolder and with much less comparison in stroke weight. One of the original target markets for Besley's Clarendon design was to act as a bold face within body text, providing a stronger Besley registered the typeface in 1845 under Britain's Ornamental Designs Act of 1842.With its growing popularity for display use, new versions often changed these proportions. Clarendon is the name of a slab-serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry.The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have contributed to its design. The typeface was published in 1845 after Besley, an employee of the foundry since 1826, was made a partner in the firm.Clarendon types proved extremely popular in many parts of the world, in particular for display applications such as posters printed with wood type. Clarendon … Clarendon is also prominent in many famous logos, including the Sony logo, the Starbucks logo, and the Wells Fargo logo. By around 1874, the Fann Street Foundry (now Reed and Fox) could offer in its specimen book Clarendon designs that were condensed, "thin-faced" (light weight), extended, "distended" (extra-wide) and shaded.The label "Ionic", originally also used for display faces, has become associated with typefaces with some Clarendon/slab-serif features but intended for body text, following the success of several faces with this name from first A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. Though Clarendon itself was created by Robert Besley in 1845 it is inspired by the typeface Antique, one of the original slab serifs. Clarendons have a bold, solid structure, similar in letter structure to the Slab serif typefaces had become popular in British Slab serif lettering and typefaces originated in Britain in the early nineteenth century, at a time of rapid development of new, bolder typefaces for posters and commercial printing. Up until that point, italics had been used to focus a reader’s attention on particular words or phrases. It was apparently named after the Clarendon Press in Oxford.. They make it a typeface that is hard to ignore.The way to truly understand animals is to study them in the wild, the same idea helps to better understand a typeface as well.
See also the generic Clarendon/Ionic for more information. From its use in the National Parks Department to wooden children's blocks to Starbucks and Wells Fargo's identity, we can see how it has come to be associated with nature and natural products as well as the old west.The purpose of these posts is to ignite a curiosity to discover what typefaces can bring to what you are working on. These features are part of what gives Clarendon its strength, they are why it gives off feelings of importance and substance. In London in the 1840s, the commercial applications of printing were increasing dramatically as the Industrial Revolution entered its second stage of expansion. The typeface was published in 1845 after Besley, an employee of the foundry since 1826, was made a partner in the firm. )Ovink suggests, however, that the inspirration for the Linotype Ionics may have been more The images below show some of Clarendon's most popular uses and in most of them we can really see the warmth that it brings to the table. Though Clarendon itself was created by Robert Besley in 1845 it is inspired by the typeface Antique, one of the original slab serifs. Clarendon went on to do nothing less than set the tone for commercial and editorial printing for the remainder of the century. In order to take advantage of this growing market, Robert Besley, a typographer for the Fann Street Foundry, set about finding a solution for one particular commercial printing problem that had arisen—how to pull out, or highlight, certain elements in editorial text and signage. When I close my eyes and picture Clarendon I immediately think of wood. Listed here are some wonderful typefaces inspired by Clarendon and the other 1800's slab serifs:
It also created the related bold standard that still exists today for emphasizing text. While Clarendon and Antique share a similar flavor, Clarendon's addition of bracketed serifs, the gentile curves connecting the serif to the body of the letter, gives it the ability to work better inline of a body of text with other serifed fonts as well as giving it its softer and more approachable feel. A brief history. Clarendon is a wonderful example of a class of Slab Serifs called Ionic or Egyptian.
: …began a draft of his History of the Rebellion and Civil Wars in England in the hope that his interpretation of recent errors might instruct the king for the future. After this commercial success, Besley would go on to become the mayor of London in 1869. It has an ambitious, stable structure, comparable in letter structure to the “current” serif typefaces popular inside the 19th century for body text, however bolder and with much less comparison in stroke weight. One of the original target markets for Besley's Clarendon design was to act as a bold face within body text, providing a stronger Besley registered the typeface in 1845 under Britain's Ornamental Designs Act of 1842.With its growing popularity for display use, new versions often changed these proportions. Clarendon is the name of a slab-serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry.The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have contributed to its design. The typeface was published in 1845 after Besley, an employee of the foundry since 1826, was made a partner in the firm.Clarendon types proved extremely popular in many parts of the world, in particular for display applications such as posters printed with wood type. Clarendon … Clarendon is also prominent in many famous logos, including the Sony logo, the Starbucks logo, and the Wells Fargo logo. By around 1874, the Fann Street Foundry (now Reed and Fox) could offer in its specimen book Clarendon designs that were condensed, "thin-faced" (light weight), extended, "distended" (extra-wide) and shaded.The label "Ionic", originally also used for display faces, has become associated with typefaces with some Clarendon/slab-serif features but intended for body text, following the success of several faces with this name from first A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. Though Clarendon itself was created by Robert Besley in 1845 it is inspired by the typeface Antique, one of the original slab serifs. Clarendons have a bold, solid structure, similar in letter structure to the Slab serif typefaces had become popular in British Slab serif lettering and typefaces originated in Britain in the early nineteenth century, at a time of rapid development of new, bolder typefaces for posters and commercial printing. Up until that point, italics had been used to focus a reader’s attention on particular words or phrases. It was apparently named after the Clarendon Press in Oxford.. They make it a typeface that is hard to ignore.The way to truly understand animals is to study them in the wild, the same idea helps to better understand a typeface as well.