In 1970, the Frankfurter Kunstkabinett in Germany gathered the work of the Madrid Realists for an exhibit entitled “Magic Realism in Spain today”. The emergence of a realist movement within the environment of the avant-garde is nothing new in the history of art. The light reflected in the background of Although Lopez’s light here is artificial and cold compared to Vermeer’s warm and natural light, the effect they both have on the scene is the same. His early vocation for drawing, as well as the influence of his uncle, the painter Antonio López Torres, made up his decision to devote himself to painting. When examining Lopez’s paintings from this period we either find supernatural elements intruding in the private moment within the lives of his subjects, or a juxtaposition of unrelated images within a work which create a sense of mystery.
On the one hand, he is concerned with showing the passing of time in his work yet on the other, he actively pursues the theme of the ephemeral. Antonio Lopez Garcia’s multiple planes of Reality. As the season progresses, Lopez ties back branches as they begin to sag with the weight of the fruit and erects a tent over the tree to protect it from the rains and finally abandons the painting by October, when the light becomes too erratic and the fruit begins to fall from the tree. It is possible to establish links between his work and the new European figurative tendencies or the American López Garcia has won numerous awards. His deftness brings attention to these simple forms, encouraging the viewer to re-examine the presence of ordinary objects. This is expressed through a tension of opposites: chaos and order, modernization and decay, and the world of the infinite and the familiar. Mastered in Guadix (Spain) in July 2020. This site uses first and third-party 'cookies' to provide you with a better experience and service. In 2004, López was inducted as an honorary member of the Academy of Arts and Letters in New York, and in 2006 he was awarded the Velázquez Prize for Fine Arts.
As in Lopez’s work, light is inextricably linked with time. Sein Onkel Antonio Lopez Torres, … No one understood this better than the naturalist landscape painters of the 17Realism, therefore, requires a certain amount of fiction in order to make the unstable world appear stable. While a student in the Escuela de Bellas Artes de San Fernando, Lopez began to meet other students who also shared an interest in realism: Isabel Quintanilla, the sculptor Julio Lopez Hernandez and his brother Francisco, and Lopez’s future wife, Maria Moreno. López Garcia became friends with Jack Chambers, a Canadianstudying in Madrid. Antonio López García (Empresario de Playa de Palma) Que falleció el día 19 de noviembre del 2017 a la edad de 65 años en Palma, habiendo recibido los Santos Sacramentos y la Bendición. It is also the world where the Madrid realists have their homes and studios.”4 Dyckes might be describing Lopez’ early work where we find a nostalgia for a rapidly disappearing way of life. As a result, abstract art was sent abroad in order to present a progressive view of Spain, while representational art was often analyzed for any political critiques. López García wurde wenige Monate vor dem Spanischen Bürgerkrieg als Sohn eines Landwirts geboren. In 1925, the critic Franz Roh outlined the characteristics of this new style in his book ‘Nachexpressionismus- Magischer Realismus’ (Magic Realism: Post Expressionism), the main feature being a concern with the world of every day objects. These links to the present are the sustenance of your own life, and the gaze of the present contains all that you are and know, including your history-even though you may not be conscious of it. In Lopez also uses exterior space as a symbol of the unknown and mysterious. In the context of Spanish art, this emphasis on everyday objects signified a break with the traditional still life Spanish painters like Ribera and Murillo who had painted more noble subject matter. View of Madrid from Torres Blancas, 1976-82When examining Lopez’s paintings from this period we either find supernatural elements intruding in the private moment within the lives of his subjects, or a juxtaposition of unrelated images within a work which create a sense of mystery. Yet, while this label might have helped critics categorize the work of the group and give them international exposure, it proved to be misleading because it failed to recognize some of the principle themes that were independent of the supernatural elements. Antonio López García (Empresario de Playa de Palma) Que falleció el día 19 de noviembre del 2017 a la edad de 65 años en Palma, habiendo recibido los Santos Sacramentos y la Bendición.
When browsing, or using our services, you agree to our use of 'cookies'. While Pop artists in America had portrayed the influx of consumerism with a certain sense of irony, incorporating images from mass media and taking advantage of mechanical reproduction techniques, the Madrid realists portrayed this new urban landscape in quite the opposite way. His name often appears alongside Velazquez and El Greco (a 2009 exhibit at the Boston Museum of Fine Arts coincided with an exhibition on these two painters) but Lopez himself has been reluctant to cite them as sources. E.P.D. His work is notable for its analytical sense of reality. For the best experience on our site, be sure to turn on Javascript in your browser.